The Sightings Pack
My BFA thesis builds a brand design around a fictional brewery’s variety pack, blending custom typography, linocut printmaking, and packaging to create a distinct and handmade visual identity.
Art DirectionBrand IdentityPackage DesignTypography DesignIllustrationPrintmakingPrint Design

Background
This project began with an interest in how illustration and graphic design can work together to build a brand with a strong point of view. The craft beer industry, known for its expressive, design-forward packaging, offered an ideal context to explore that intersection. I developed a fictional brewery and focused the scope on a single variety pack, allowing for a contained but fully realized identity.
Handmade processes were central from the start. Linocut printmaking and custom typography brought a tactile quality that contrasted with the contemporary palette and composition choices. While I referenced the illustrated traditions seen in breweries like New Belgium and Odell, the goal was to reinterpret that energy through a more contemporary and playful lens. The result is a visual system that feels modern, intentional, and rooted in the character of something made by hand.
Deliverables
Because this project was presented in person, the deliverables were built to showcase a complete, tangible brand experience. The system included four can designs, a variety pack box, and a promotional mini-fridge. I developed the logo, custom typography, and overall brand standards, which were compiled into a comprehensive brand booklet documenting the full visual direction.
See the full booklet here.


Positioning
This variety pack is positioned for a younger, craft-brew audience. People who gravitate toward small-batch brands and bold visuals. The cryptid theme leans into that playful, slightly offbeat energy, speaking directly to the audience.
Visually, the identity sits on the micro-brew, contemporary, vivid end of the spectrum. The mix of gritty texture, bright color, and handmade typography creates a look that feels energetic, approachable, and handcrafted.
The direction proved successful in practice. At the exhibition, a number of younger attendees in Denver, within the target audience, told me they’d immediately gravitate toward this on a store shelf. They described it as fun, different, and intriguing enough to pick up just to see what it was, reinforcing that the positioning resonated exactly as intended.


Visual Language
The visual language brings together two ideas: the bright, trend-driven palettes common in contemporary beverage packaging and the gritty, handmade quality that fits the world of cryptids and craft brews. The exterior identity uses neutral colors, and natural textures that feel grounded and rugged. Opening the box reveals cans that are vibrant, playful, and full of contrast, which creates a small moment of surprise while still feeling intentional.
Every element includes a handmade component. All illustrations were carved as linocut prints and then scanned, giving each cryptid a raw texture that supports the outdoorsy tone. The typeface was created in the same way, with every character carved and printed by hand before being digitized. Together, these choices create a visual system that feels contemporary and fun while still rooted in craft, character, and a sense of the unknown.



Logo
The logo uses the custom typeface created for the project, which gives it the same handmade character and texture found throughout the rest of the brand. The “o” in “No Name” is replaced with an asterisk, which works as both a visual placeholder and a nod to the idea of something intentionally unnamed. That small substitution reinforces the mystery tied to cryptids and also becomes an iconic element within the identity. The asterisk appears throughout the system as a recognizable marker of the brand.




Illustration & Process
Each cryptid was first illustrated in a flat but energetic style that gave the characters personality without relying on heavy detail. After the initial drawings were finalized, they were transferred to linocut blocks and carved by hand. The prints were then scanned and digitized so they could be used consistently across cans, packaging, and other deliverables. This process kept the illustrations playful and contemporary while adding a tactile quality that supports the theme and ties the whole system together.




Installation
The installation was designed to present the full identity as a cohesive, physical experience. I produced printed labels for the cans, printed and assembled the variety pack box, and created vinyl graphics for the promotional mini-fridge and the wall logo. The brand booklet and stickers were printed and displayed alongside the original linocut prints, which gave viewers a look at the handmade process behind the work. Each element was arranged to highlight both the craft and the final system, creating an environment that felt complete and true to the brand.
Let’s connect!
CONTACT
(303) 501-3814
hello@monikaswiderski.art
SOCIAL
The Sightings Pack
My BFA thesis builds a full brand design around a fictional brewery’s variety pack, blending custom typography, linocut printmaking, and packaging to create a contemporary yet handmade visual identity.
Art DirectionBrand IdentityPackage DesignTypography DesignIllustrationPrintmakingPrint Design



Background
This project began with an interest in how illustration and graphic design can work together to build a brand with a strong point of view. The craft beer industry, known for its expressive, design-forward packaging, offered an ideal context to explore that intersection. I developed a fictional brewery and focused the scope on a single variety pack, allowing for a contained but fully realized identity.
Handmade processes were central from the start. Linocut printmaking and custom typography brought a tactile quality that contrasted with the contemporary palette and composition choices. While I referenced the illustrated traditions seen in breweries like New Belgium and Odell, the goal was to reinterpret that energy through a more contemporary and playful lens. The result is a visual system that feels modern, intentional, and rooted in the character of something made by hand.
Deliverables
Because this project was presented in person, the deliverables were built to showcase a complete, tangible brand experience. The system included four can designs, a variety pack box, and a promotional mini-fridge. I developed the logo, custom typography, and overall brand standards, which were compiled into a comprehensive brand booklet documenting the full visual direction.
See the full booklet here.


Positioning
This variety pack is positioned for a younger, craft-brew audience. People who gravitate toward small-batch brands and bold visuals. The cryptid theme leans into that playful, slightly offbeat energy, speaking directly to the audience.
Visually, the identity sits on the micro-brew, contemporary, vivid end of the spectrum. The mix of gritty texture, bright color, and handmade typography creates a look that feels energetic, approachable, and handcrafted.
The direction proved successful in practice. At the exhibition, a number of younger attendees in Denver, within the target audience, told me they’d immediately gravitate toward this on a store shelf. They described it as fun, different, and intriguing enough to pick up just to see what it was, reinforcing that the positioning resonated exactly as intended.


Visual Language
The visual language brings together two ideas: the bright, trend-driven palettes common in contemporary beverage packaging and the gritty, handmade quality that fits the world of cryptids and craft brews. The exterior identity uses neutral colors, and natural textures that feel grounded and rugged. Opening the box reveals cans that are vibrant, playful, and full of contrast, which creates a small moment of surprise while still feeling intentional.
Every element includes a handmade component. All illustrations were carved as linocut prints and then scanned, giving each cryptid a raw texture that supports the outdoorsy tone. The typeface was created in the same way, with every character carved and printed by hand before being digitized. Together, these choices create a visual system that feels contemporary and fun while still rooted in craft, character, and a sense of the unknown.



Logo
The logo uses the custom typeface created for the project, which gives it the same handmade character and texture found throughout the rest of the brand. The “o” in “No Name” is replaced with an asterisk, which works as both a visual placeholder and a nod to the idea of something intentionally unnamed. That small substitution reinforces the mystery tied to cryptids and also becomes an iconic element within the identity. The asterisk appears throughout the system as a recognizable marker of the brand.




Illustration & Process
Each cryptid was first illustrated in a flat but energetic style that gave the characters personality without relying on heavy detail. After the initial drawings were finalized, they were transferred to linocut blocks and carved by hand. The prints were then scanned and digitized so they could be used consistently across cans, packaging, and other deliverables. This process kept the illustrations playful and contemporary while adding a tactile quality that supports the theme and ties the whole system together.




Installation
The installation was designed to present the full identity as a cohesive, physical experience. I produced printed labels for the cans, printed and assembled the variety pack box, and created vinyl graphics for the promotional mini-fridge and the wall logo. The brand booklet and stickers were printed and displayed alongside the original linocut prints, which gave viewers a look at the handmade process behind the work. Each element was arranged to highlight both the craft and the final system, creating an environment that felt complete and true to the brand.
Let’s connect!
CONTACT
(303) 501-3814
hello@monikaswiderski.art
SOCIAL
The Sightings Pack
My BFA thesis builds a brand design around a fictional brewery’s variety pack, blending custom typography, linocut printmaking, and packaging to create a distinct and handmade visual identity.
Art DirectionBrand IdentityPackage DesignTypography DesignIllustrationPrintmakingPrint Design



Background
This project began with an interest in how illustration and graphic design can work together to build a brand with a strong point of view. The craft beer industry, known for its expressive, design-forward packaging, offered an ideal context to explore that intersection. I developed a fictional brewery and focused the scope on a single variety pack, allowing for a contained but fully realized identity.
Handmade processes were central from the start. Linocut printmaking and custom typography brought a tactile quality that contrasted with the contemporary palette and composition choices. While I referenced the illustrated traditions seen in breweries like New Belgium and Odell, the goal was to reinterpret that energy through a more contemporary and playful lens. The result is a visual system that feels modern, intentional, and rooted in the character of something made by hand.
Deliverables
Because this project was presented in person, the deliverables were built to showcase a complete, tangible brand experience. The system included four can designs, a variety pack box, and a promotional mini-fridge. I developed the logo, custom typography, and overall brand standards, which were compiled into a comprehensive brand booklet documenting the full visual direction.
See the full booklet here.


Positioning
This variety pack is positioned for a younger, craft-brew audience. People who gravitate toward small-batch brands and bold visuals. The cryptid theme leans into that playful, slightly offbeat energy, speaking directly to the audience.
Visually, the identity sits on the micro-brew, contemporary, vivid end of the spectrum. The mix of gritty texture, bright color, and handmade typography creates a look that feels energetic, approachable, and handcrafted.
The direction proved successful in practice. At the exhibition, a number of younger attendees in Denver, within the target audience, told me they’d immediately gravitate toward this on a store shelf. They described it as fun, different, and intriguing enough to pick up just to see what it was, reinforcing that the positioning resonated exactly as intended.


Visual Language
The visual language brings together two ideas: the bright, trend-driven palettes common in contemporary beverage packaging and the gritty, handmade quality that fits the world of cryptids and craft brews. The exterior identity uses neutral colors, and natural textures that feel grounded and rugged. Opening the box reveals cans that are vibrant, playful, and full of contrast, which creates a small moment of surprise while still feeling intentional.
Every element includes a handmade component. All illustrations were carved as linocut prints and then scanned, giving each cryptid a raw texture that supports the outdoorsy tone. The typeface was created in the same way, with every character carved and printed by hand before being digitized. Together, these choices create a visual system that feels contemporary and fun while still rooted in craft, character, and a sense of the unknown.



Logo
The logo uses the custom typeface created for the project, which gives it the same handmade character and texture found throughout the rest of the brand. The “o” in “No Name” is replaced with an asterisk, which works as both a visual placeholder and a nod to the idea of something intentionally unnamed. That small substitution reinforces the mystery tied to cryptids and also becomes an iconic element within the identity. The asterisk appears throughout the system as a recognizable marker of the brand.




Illustration & Process
Each cryptid was first illustrated in a flat but energetic style that gave the characters personality without relying on heavy detail. After the initial drawings were finalized, they were transferred to linocut blocks and carved by hand. The prints were then scanned and digitized so they could be used consistently across cans, packaging, and other deliverables. This process kept the illustrations playful and contemporary while adding a tactile quality that supports the theme and ties the whole system together.




Installation
The installation was designed to present the full identity as a cohesive, physical experience. I produced printed labels for the cans, printed and assembled the variety pack box, and created vinyl graphics for the promotional mini-fridge and the wall logo. The brand booklet and stickers were printed and displayed alongside the original linocut prints, which gave viewers a look at the handmade process behind the work. Each element was arranged to highlight both the craft and the final system, creating an environment that felt complete and true to the brand.
Let’s connect!
CONTACT
(303) 501-3814
hello@monikaswiderski.art
SOCIAL